A
Love of Plants
This work comes from a love of Brigid's own plants that she began
preserving in phone books and dictionaries.
Brigid
saw something in preserved plants that she hadn’t seen before
in the plants she grew, and often couldn't keep growing.
Once
the realization occurred that preserved plants reveal characteristics
that can’t be seen otherwise, everything started to look different.
Trips to the grocery
store were more like research into produce departments and resulted
in more pressing experiments than actual food for consumption. Then
the trips to and from the store and elsewhere really became about
what was growing on the side of every road: these were dangerous drives.
Farmers markets, friends’ yards, people she knew with land and
eventually strangers she approached became resources for the variety
of plant life she collects.
Study
with Botanists
Study to learn about plants and their archiving took different forms,
including studying with botanists, volunteer work with plant preservationists
in the scientific community, interviewing, reading, collecting, experimenting,
traveling... and pressing and preserving. There was an early workshop
organized by California botanists for plant enthusiasts on Catalina
Island that introduced the importance of classification. The mounting
tricks learned from the staff of plant preservation and mounting specialists
at the famous. St. Louis herbarium showed what could be done with
everything from coconuts to seaweed.
Collecting
Collecting plants is an adventure for Brigid. Wild hops growing on
the banks of the Missouri. Soy fields in Kansas. Dried Ocotillo in
the Arizona low land, still suffering from run-off from the abandoned
copper mine. Invasive California Rip-Gut that tears up the stomach
of whatever eats it. She keeps finding people who own uncultivated
land that let her collect what she wants.
Respect
Brigid tries to maintain and respect the original form, and to capture
that wildness. Brigid’s preservation and mounting methods create
an opportunity to see a natural, uncontrived beauty that can't be
seen otherwise.
Brigid
Greene
last updated 08/04